首屆非遺中國年 向世界推薦藝術(shù)家—蘇亞就
The First Intangible Cultural Heritage Chinese New Year Recommends Artists to the World - Su yajiu
2024年12月4日，春節(jié)申遺成功的消息刷爆各大社交網(wǎng)絡(luò)平臺。“春節(jié)——中國人慶祝傳統(tǒng)新年的社會實踐”被列入聯(lián)合國教科文組織人類非物質(zhì)文化遺產(chǎn)代表作名錄，引發(fā)廣泛關(guān)注。2025年是農(nóng)歷乙巳蛇年，春節(jié)申遺成功無疑為蛇年新春增添了特別的意義。
On December 4, 2024, the news of the successful application of the Spring Festival World Heritage exploded on major social network platforms. "Spring Festival - the social practice of Chinese people celebrating the traditional New Year" has been included in UNESCO's Representative list of Intangible Cultural Heritage of humanity, which has attracted wide attention. The year 2025 is the Year of the Snake in the lunar calendar, and the successful application of the Spring Festival has undoubtedly added special significance to the Spring of the Year of the snake.
蘇亞就,男,1951 年出生,齋號近墨者。中共黨員,原職業(yè)教師。現(xiàn)為國家一級書法師、中國楹聯(lián)學(xué)會會員、北京中宣盛世國際書畫院研究員、中國教育電視臺水墨丹青書畫院會員、CCTV 華夏之聲特邀藝術(shù)家，廣西科技書畫研究院會員、廣西民間文藝家協(xié)會會員、南寧市政協(xié)邕州書畫院院士、南寧市書法協(xié)會會員、南寧市人大書畫院藝術(shù)顧問、原南寧市興寧區(qū)書協(xié)副主席。蘇先生始終堅持以藝術(shù)為人民為宗旨，堅持走文以載道，藝以弘德，崇德尚藝的道路。他的作品深得廣大人民群眾、黨、政、軍機關(guān)人員的贊譽，并多次為扶貧、慈善等公益活動捐贈書法作品，是一位熱心公益的愛心書法家。
他的書法在追求諸書皆成的道路上,對碑學(xué)的骨勁和帖學(xué)的秀潤都進行了極好的收納涵養(yǎng),所以書法從形態(tài)到神態(tài)都有一觀而悅目,久觀必動心的格調(diào)功成,絕然不是"現(xiàn)代書風(fēng)"所流露出來的淺薄江湖體,也不是刻意求得書展名次的造作勁兒。
觀看他的書法作品,總是有-種隸韻的豐滿體現(xiàn)。他的書法恰是功修隸書碑風(fēng),達(dá)成筆墨圓厚的價值取向,經(jīng)過對漢隸十碑的- --揣摩,合成了孔廟三碑的典雅氣質(zhì),有乙瑛碑的俊拔,也有史晨碑的正泰,又吸收了諸如石門頌、西狹頌這些野外碑刻樸茂的用筆特征,一筆三段,波折跳躍,生成了隸味書法雄勁且動逸的風(fēng)格品質(zhì),然后把這種承前啟后的用筆特點轉(zhuǎn)注于草書、楷書、行書的創(chuàng)作之中,讓諸書皆有隸韻內(nèi)涵,既得筋骨,也顯血肉,精氣神足足顯盈,勁堅韌拔歷歷在目。這說明他的書法體系的構(gòu)建,還深刻抓住了“隸變'前后的筆墨源流關(guān)系,是書法并軌文化的非凡創(chuàng)建。
從筆墨的主體觀感上來看,他的書法是源于二王,功續(xù)顏真卿和蘇東坡筆墨風(fēng)格的脈絡(luò),所以書法的筋骨是藏于碩豐墨意之中的書法塑造,觀之有形,觸之有骨,筆墨潑辣,法度嚴(yán)謹(jǐn)。
書法講究傳承,晉之韻,唐之法,宋之意皆是歷史文化的積淀,唯有像當(dāng)代著名書法家蘇亞就先生這樣,在追風(fēng)高古的書法磨礪路徑上,以古賢為師,以舊法為源,才能在書法的創(chuàng)作中透發(fā)出盈盈可溢的書卷氣息,讓書法成為本正源清的文化建樹。
Su Yajiu, male, was born in 1951. The name of his studio is "Close to Ink". A member of the Communist Party of China, he was formerly a professional teacher. Currently, he is a national first-class calligrapher, a member of the Chinese Couplet Society, a researcher at the Beijing Zhongxuan Shengshi International Calligraphy and Painting Institute, a member of the Ink and Wash Danqing Calligraphy and Painting Institute of China Education Television, a special artist invited by CCTV Huaxia Voice, a member of the Guangxi Science and Technology Calligraphy and Painting Research Institute, a member of the Guangxi Folk Artists Association, an academician of the Yongzhou Calligraphy and Painting Institute of the Nanning Municipal Committee of the Chinese People's Political Consultative Conference, a member of the Nanning Calligraphy Association, an art consultant of the Calligraphy and Painting Institute of the Nanning Municipal People's Congress, and the former vice chairman of the Xingning District Calligraphy Association in Nanning.Mr. Su has always adhered to the principle of art serving the people and has been committed to the path of literature carrying the truth, art promoting virtue, and advocating morality and art. His works have won high praise from the general public, as well as personnel from Party, government, and military agencies. He has donated calligraphy works for many poverty alleviation, charity and other public welfare activities. He is a caring calligrapher enthusiastic about public welfare.
On the path of striving for proficiency in various calligraphic styles, Mr. Su has absorbed the strength of stele calligraphy and the elegance of running script calligraphy. Therefore, his calligraphy, from form to expression, has a pleasing and captivating charm. It is by no means the shallow and vulgar style often seen in "modern calligraphy trends", nor the artificial manner of those who strive for high rankings in calligraphy exhibitions.
When viewing his calligraphy works, one can always sense the fullness of the official script rhyme. His calligraphy focuses on the style of official script steles, achieving a value orientation of round and thick brushstrokes. After carefully studying ten Han Dynasty official script steles, he has synthesized the elegant qualities of the three steles of the Confucius Temple. His works possess the grace and uprightness of the Yiying Stele, the solemnity of the Shichen Stele, and also absorb the simple and vigorous brushwork characteristics of wild steles such as the Ode to Shimen and the Ode to Xixia. With each stroke divided into three segments, the brushwork is full of twists and turns, creating a vigorous and dynamic style of official script. Then, he transfers these brushwork characteristics that inherit the past and usher in the future to the creation of cursive script, regular script, and running script, endowing all these styles with the connotation of official script rhyme. His works not only have strength but also show vitality, with a vivid display of spirit, energy, and verve. This indicates that in constructing his calligraphy system, he has deeply grasped the relationship between the origin and development of brushwork before and after the "transformation of official script", which is an extraordinary creation that combines calligraphy with culture.
From the main perception of the brushwork, his calligraphy is rooted in the styles of Wang Xizhi and Wang Xianzhi, and continues the brushwork styles of Yan Zhenqing and Su Dongpo. Therefore, the strength of his calligraphy is hidden within the rich ink strokes. His works are visually tangible, with a sense of structure. The brushwork is bold and unrestrained, yet strictly following the rules.
Calligraphy emphasizes inheritance. The charm of the Jin Dynasty, the rules of the Tang Dynasty, and the artistic conception of the Song Dynasty are all accumulations of historical culture. Only calligraphers like the renowned contemporary calligrapher Mr. Su Yajiu, who take ancient sages as teachers and old methods as the source on the path of honing calligraphy in pursuit of the ancient style, can exude a rich scholarly atmosphere in calligraphy creation, making calligraphy a pure and profound cultural achievement.
